mbarker: (Fireworks Delight)
Writing Excuses Season Five Episode Four: Creating Suspense

From http://www.writingexcuses.com/2010/09/26/writing-excuses-5-4-creating-suspense/

Key Points: Put a bomb under the table. If it goes off, that's action. If it doesn't go off, that's suspense. Mystery is when you can't see what's under the table. Mystery is about ideas that we don't understand, while suspense is about characters we don't understand. Both create tension. Think hard about killing a character just to create tension -- it may come across to readers as a cheap trick. Make sure that there are good reasons for them to die, or use some alternate significant loss. Consider ticking time bombs and other tricks for introducing a sense of progress, too.
Watch for the bomb under the tablecloth! )
[Brandon] Excellent. All right. We have a very special writing prompt for you this week. Producer Jordo was sent a very touching piece of mail by someone in the Netherlands. It was just delightful. We're going to read just one line from this. You have to take this and make a story out of it.
[Howard] I have coated my left hand with magical ink.
[Brandon] There you go. You're totally out of excuses. This has been Writing Excuses, and I can't talk. Now go write!
mbarker: (ISeeYou2)
Writing Excuses Season Four Episode 32: First Paragraphs

From http://www.writingexcuses.com/2010/08/15/writing-excuses-4-32-first-paragraphs/

Key Points: conflict and tension are good. Be careful of personification. Voice is OK, but get to scene and setting soon. Action! Sensory experience! Clarity. Put backstory in dialogue, action, and setting. Make sure we know who the viewpoint character is soon.
actual 1st paragraphs... )
[Brandon] We're going to go ahead and end with a writing prompt, which is what Dan said. You're writing in a journal, and you haven't written it in 10 years. Then you say, "Oh, man, OK. What happened? Earth got invaded. Well, let's start from there." Do this story, but do it silly. This has been Writing Excuses. You're out of excuses, now go write. OK, and we're out.
[Dan] Yeah.
[Applause]
[Howard] Don't stop recording, there's applause.
[Brandon] Louder, louder.
mbarker: (Me typing?)
Writing Excuses Season Three Episode 26: Nanowrimo

From http://www.writingexcuses.com/2009/11/22/writing-excuses-season-3-episode-26-nanowrimo/

Key points: Nanowrimo, National Novel Writing Month, is an opportunity to write 50,000 words in November along with 160,000 other people worldwide. See http://www.nanowrimo.org/ Nanowrimo forces you to write quickly, turn off your internal editor, shut up and write.

What do you do when characters act dumb? If it's in character, fine. If it's not, what information are they missing, what emotions cloud their judgment? Forging ahead is one of the best ways to find an alternate solution. What do you do when main characters digress? Keep writing, and expect to throw away words. Save the good stuff for another book, because there will be other Novembers. What do you do when the pacing changes? If you're comfortable, keep going. You discover aspects of your style by writing. It's possible to have character development in action -- fight scenes can reveal and develop characters. Getting ideas on paper lets you see them and develop them, plus it gives you good practice. Nanowrimo -- keep writing.
cut and paste? )
[Howard] Katherine, give us a writing prompt that involves a traveling shovel.
[Katherine] On the nano forums, I don't know if any of you all have been there but there's this sort of motif about the traveling shovel of death. One of your characters gets killed with a shovel somehow. You just have to work it into your story.
[Dan] Awesome.
[Howard] There's your writing prompt. Kill somebody with a shovel. No, wait a minute. Write about killing somebody with a shovel. You're out of excuses, now...
[Dan] Kill somebody with a shovel.
[Howard] Go write.
mbarker: (ISeeYou2)
Writing Excuses Season Three Episode 20: The Difference between Character Driven and Plot Driven Stories

From http://www.writingexcuses.com/2009/10/11/writing-excuses-season-3-episode-20-plot-vs-character-driven-fiction/

Key Points: What is driving the story -- who the characters are or what events are they involved with? What draws the reader in -- how does this end or who is Sally? Both kind create tension in readers, and require conflict. Is the climax a confluence of events or a character decision/change? When the characters' internal moments and the plot's external moments all line up, that's thrilling. Does the plot revolve around a discovery, a decision, or an action? Strong characters make plots interesting. Make your characters strong enough to carry the story.
serendipity hides here )
[Brandon] I think that's a great note to end on. Larry, we want you to give us a writing prompt. Just off the top of your head. I'm putting you on the spot. This is what happens. A writing prompt for our listeners.
[Larry] Come up with a plot driven story and try to make it good with boring characters.
[Dan] Ignore all the advice we've just given you.
[Howard] We've just made them run laps for no reason.
[Brandon] Someone's already done that. His name is Dan Brown.
[Larry] Oh. Burn. Snap.
[Howard] You can get Dan Brown's stuff on audible.com.
[Brandon] Yes, you can. This has been Writing Excuses. You're out of excuses, now go write.

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