mbarker: (Fireworks Delight)
Writing Excuses Season Five Episode Four: Creating Suspense

From http://www.writingexcuses.com/2010/09/26/writing-excuses-5-4-creating-suspense/

Key Points: Put a bomb under the table. If it goes off, that's action. If it doesn't go off, that's suspense. Mystery is when you can't see what's under the table. Mystery is about ideas that we don't understand, while suspense is about characters we don't understand. Both create tension. Think hard about killing a character just to create tension -- it may come across to readers as a cheap trick. Make sure that there are good reasons for them to die, or use some alternate significant loss. Consider ticking time bombs and other tricks for introducing a sense of progress, too.
Watch for the bomb under the tablecloth! )
[Brandon] Excellent. All right. We have a very special writing prompt for you this week. Producer Jordo was sent a very touching piece of mail by someone in the Netherlands. It was just delightful. We're going to read just one line from this. You have to take this and make a story out of it.
[Howard] I have coated my left hand with magical ink.
[Brandon] There you go. You're totally out of excuses. This has been Writing Excuses, and I can't talk. Now go write!
mbarker: (Smile)
Writing Excuses Season Three Episode 23: How to Write without Twists

From http://www.writingexcuses.com/2009/11/01/writing-excuses-season-3-episode-23-how-to-write-without-twists/

Key points: Simple surprises and obstacles are not plot twists. Watching engaging characters overcome real problems is satisfying. Watching characters make progress is satisfying. Stories without twists often have strong setups with very clear conflicts and high stakes. Even stories with major plot twists often have straight-forward subplots.
The Peppermint Twist? )
[Brandon] Let's do a writing prompt before this spirals completely into insanity.
[Jordo] Is it going to be Jane Austen and Diehard?
[Brandon] No.
[Dan] No?
[Howard] It can't be Pride and Prejudice and zombies, either, because that's been done.
[Dan] It's going to be Sense and Sensibility and terrorists.
[Brandon] You have lots of excuses why you are not going to write, but we're going to pretend you don't. Thanks for listening. This has been Writing Excuses.
mbarker: (ISeeYou2)
Writing Excuses Season Three Episode 12: Subplots

From http://www.writingexcuses.com/2009/08/16/writing-excuses-season-3-episode-12-subplots/

Key points: Subplots are secondary plots. They can flesh out other characters, make the world feel more real, keep the tension high, and introduce elements as foreshadowing for the main plot. They can also provide quick accomplishments for a sense of progress. Be wary of subplots being more interesting than the main plot. How many subplots? It depends on your genre and skills, but don't overload the reader. Subplots feel real when they advance character, the main plot, or reveal setting.
plenty of words about subplots )
[Dan] Here's our writing prompt. By odd happenstance, Brandon and I are wearing the same T-shirt today. Well, two different instances of a similar T-shirt.
[Howard -- choked laughter] Thank you.
[Dan] It is from an explosives company. We all know why we are both wearing the same T-shirt, but your prompt is to write a story about why we are wearing an explosives and blasting T-shirt.
[Brandon] This has been Writing Excuses. You're out of excuses, now go write.
mbarker: (BrainUnderRepair)
Writing Excuses Season Three Episode Six: Dramatic Breaks

From http://www.writingexcuses.com/2009/07/07/writing-excuses-season-3-episode-6-dramatic-breaks/

Key points: A dramatic break makes the reader want to go onto the next scene. Use cliffhangers, a tense lack of resolution, a sense of satisfaction, emotional ploys -- and mix it up. Pay attention to your genre -- thrillers like cliffhangers, epic fantasy prefers satisfaction. Be aware of the sense of time. Dan parks his flying car outside. Satisfying installments keep people coming back. Scenes need to progress the character or the plot to satisfy readers. Let the reader know the scene is over -- walk out the door, step into the street, etc.
no drama, just hiding the extra stuff )
[Dan] Write a story in which Howard hates elephants and dramatically breaks one.
[Brandon] This has been Writing Excuses. You're out of excuses, now go write.

January 2021

S M T W T F S
     12
345 6789
10111213141516
17181920212223
24252627282930
31      

Syndicate

RSS Atom

Most Popular Tags

Style Credit

Expand Cut Tags

No cut tags
Page generated Jul. 5th, 2025 05:33 am
Powered by Dreamwidth Studios