mbarker: (Smile)
Writing Excuses Season Three Episode 23: How to Write without Twists

From http://www.writingexcuses.com/2009/11/01/writing-excuses-season-3-episode-23-how-to-write-without-twists/

Key points: Simple surprises and obstacles are not plot twists. Watching engaging characters overcome real problems is satisfying. Watching characters make progress is satisfying. Stories without twists often have strong setups with very clear conflicts and high stakes. Even stories with major plot twists often have straight-forward subplots.
The Peppermint Twist? )
[Brandon] Let's do a writing prompt before this spirals completely into insanity.
[Jordo] Is it going to be Jane Austen and Diehard?
[Brandon] No.
[Dan] No?
[Howard] It can't be Pride and Prejudice and zombies, either, because that's been done.
[Dan] It's going to be Sense and Sensibility and terrorists.
[Brandon] You have lots of excuses why you are not going to write, but we're going to pretend you don't. Thanks for listening. This has been Writing Excuses.
mbarker: (BrainUnderRepair)
Writing Excuses Season Three Episode Six: Dramatic Breaks

From http://www.writingexcuses.com/2009/07/07/writing-excuses-season-3-episode-6-dramatic-breaks/

Key points: A dramatic break makes the reader want to go onto the next scene. Use cliffhangers, a tense lack of resolution, a sense of satisfaction, emotional ploys -- and mix it up. Pay attention to your genre -- thrillers like cliffhangers, epic fantasy prefers satisfaction. Be aware of the sense of time. Dan parks his flying car outside. Satisfying installments keep people coming back. Scenes need to progress the character or the plot to satisfy readers. Let the reader know the scene is over -- walk out the door, step into the street, etc.
no drama, just hiding the extra stuff )
[Dan] Write a story in which Howard hates elephants and dramatically breaks one.
[Brandon] This has been Writing Excuses. You're out of excuses, now go write.

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